|
Carl Ueter (sometimes also ''Karl Ueter'', 18 January 1900 in Münster – 30. September 1985 in Bad Krozingen) was a German composer of classical music. From 1950 to his retirement in 1965 he was professor at the Hochschule für Musik Freiburg. == Life and work == Carl Ueter studied Christian music at the Bischöfliche Kirchenmusikschule (Episcopal Church Music School) in Münster from 1915 to 1918. During these years he was also organist at different churches in Münster. He worked as a teacher for Gregorian musicology, music theory and violin at the Bischöfliche Kirchenmusikschule after the completion of his studies, but attended the composition class of Fritz Volbach at the University of Münster further on. In the year 1921 Carl Ueter was accepted as a student of the composition master class of Franz Schreker at the Hochschule für Musik in Berlin and among his fellow students were Alois Haba, Berthold Goldschmidt, Max Brand and Jerzy Fitelberg. Further studies included Instrumental Music with Emil Nikolaus von Reznicek as well as courses with Max Seiffert and Curt Sachs. In 1923 after his studies Carl Ueter took the position of a lecturer at the Musikhochschule Mannheim and became later in the same year répétiteur at the Stadttheater Münster. Still in 1923 the music director of the Stadttheater Münster, Ewald Lindemann, followed an appointment as a music director at the Stadttheater Freiburg im Breisgau and took Carl Ueter with him. Until the outbreak of World War I in 1939 Carl Ueter took the position of the 1. Kapellmeister at the Städtische Bühnen Freiburg. Between 1940 and 1944 Carl Ueter fulfilled military service and got into US war captivity. Until 1945 he was arrested at the prisoner-of-war camp at Bad Aibling. In 1946 the Hochschule für Musik Freiburg was founded and Carl Ueter took a position as a lecturer there from the very beginning. In 1950 he was appointed professor and until his retirement in 1965 he held masterclasses in conducting,〔Susanne Farwick: ''Studien zur zeitgenössischen Musik für Flöte solo in der zweiten Hälfte des 20. Jahrhunderts: analytische Betrachtungen zu formalen, außermusikalischen, nationalen sowie klangästhetischen Aspekten in der Musik für Flöte solo von 1950 bis 2006.'' Band 12 von Beiträge zur europäischen Musikgeschichte, Verlag 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Carl Ueter」の詳細全文を読む スポンサード リンク
|